permanent inconstance

being and its residues.
the substance of memory.
impermanence.
the dotted lines around tangibility.

Abacus to Artifice (amateur electricians hanging chandeliers in the house of Adam), 2026, digital collage, 8 x 8 in

Collage

Thoughts and Prayers

Crossfire, 2021, oil on canvas, 12 x 12 in

War is Hell

Tales from a Smoking Gun

Diminishing Pastoral, 2021, oil on canvas, 12 x 12 in

Diminishing Pastoral

Fire, Ice and the Rising Tides

Flyover, 2021, oil on canvas, 12 x 12 in

Broadcast Landscape

Metaphysics of the Non-State

the blue expanse, 2021, oil on canvas, 12 x 12 in

Connective Tissue

Corporeal Tendencies

Nothing to see here

My work explores the intersection of geopolitics and the profoundly personal, being and its residues, the substance of memory, impermanence, the dotted lines around tangibility. Like transcriptions of a radio play on a station that comes in and out of tune, or Plato’s undulating shadows on the wall of a cave, cast by a light we do not hold, do not discern, my collages and imaginary landscapes are an amalgam of experience and memory of a place and time that is either past or not yet realized. Cavities and protrusions of the earth and body, fires, skies, ice floes, oceans, waterfalls, vapor trails, inscriptions, repetitions, reproductions and erasures—constantly flickering, moving, defined as much by their material as by the negative spaces that circumscribe them.